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                  <text>Educational Resources (11-14 years)</text>
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                  <text>These educational resources are designed to introduce secondary-school pupils studying the plays of William Shakespeare to the significance that questions of air quality and aerial resources acquire within his drama. In this section, you will be able to access and download lesson plans and associated resources for teaching pupils about the significance of airborne plague in &lt;em&gt;Romeo and Juliet&lt;/em&gt;, wind power in &lt;em&gt;The Merchant of Venice&lt;/em&gt;, fairy flight in &lt;em&gt;A Midsummer Night's Dream&lt;/em&gt;, or the relationship between Shakespeare's fairies and the environment in the latter play. &lt;br /&gt;&lt;br /&gt;We have designed these education packs for use with pupils aged approximately 11-14 years old, in accordance with the UK National Curriculum learning objectives for KS3 English. In addition, each session comes with individual learning objectives that indicate how the session will promote learning about performed drama and/or environmental history. Each lesson plan is presented as an hour-long session, but we have included suggestions for potential extension activities. These resources could also be adapted for use with older children or within alternative curricula. If you have any feedback on or suggestions for improving these resources, please email the project team at: atmospherictheatre@exeter.ac.uk.</text>
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                  <text>Sarah Sharp</text>
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                  <text>Evelyn O'Malley, Chloe Preedy, and Courtney Priday. &#13;
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The suggested activities are informed by work undertaken with Queen Elizabeth’s School, Crediton, and the Minack Theatre Academy.</text>
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              <text>In A Midsummer Night’s Dream, the fairy characters enhance the play’s dream-like quality by adding an “other-worldly” element to the unfolding drama. Textual references to the fairies’ connection with their environment, including their implied ability to fly, have been expanded upon and creatively reimagined throughout this play’s long production history. &#13;
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Included in this education pack is a lesson plan exploring the significance of fairies and flight in A Midsummer Night’s Dream. The lesson plan is designed for pupils aged 11-14 years, although it could be adapted for use with older pupils.  &#13;
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Lesson-Specific Learning Objectives&#13;
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Pupils will gain: &#13;
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•	familiarity with the fairy characters in A Midsummer Night’s Dream and understanding of the text;&#13;
•	skills in considering a range of interpretations for presenting the fairy characters when staging A Midsummer Night’s Dream&#13;
•	skills in collaboration and presenting material;&#13;
•	experience at connecting their creative response to the fairy characters with the broader themes of A Midsummer Night’s Dream&#13;
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Lesson Plan&#13;
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Starter Activity: (10 – 15 minutes)&#13;
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In A Midsummer Night’s Dream, there are multiple references to the fairies being able to fly.&#13;
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1.	Using the ‘Fairies and Flight’ worksheet (Resource 1), students can match the quotes that refer to flight with the character who delivers these lines and the scene in which they are said. &#13;
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To challenge your students, use Slides 2 and 3 and ask them to identify the character and scene without the ‘match the boxes’ prompt (correct answers in Resource 1). &#13;
 &#13;
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Main Activity: (20 – 30 minutes)&#13;
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1.	“Translate” the passages that talk about fairies living with small winged creatures into contemporary English (Resource 2 and Slide 4). What is Titania asking her fairies to do?&#13;
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2.	Discuss: based on your translations, what size do you imagine the fairies to be? &#13;
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 	Shakespeare frequently uses references to small winged creatures. This allows us to imaginatively see the fairies on stage (played by humans) as fitting into the natural world on a miniature scale. &#13;
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In modern performances of A Midsummer Night’s Dream, fairy characters often have wings as part of their costumes. However, much is still asked of the audience’s imagination when playgoers are prompted to see the actors as tiny flying creatures.&#13;
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3.	Ask your students to think about how they would present the fairy characters if they were to create their own production of A Midsummer Night’s Dream.  &#13;
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4.	Split your class into small groups (2 - 5 depending on class size). &#13;
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5.	Ask each group to create a presentation outlining their design for how the fairy characters would be represented in their production of A Midsummer Night’s Dream. The students can consider:&#13;
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•	How can you encourage the audience to believe the actors are small flying creatures? &#13;
•	What costumes might you give the actors (style, colour and materials)? &#13;
•	What make-up and hairstyles might you use? &#13;
•	Will your actors fly? If so, how? &#13;
•	Might you use projection? &#13;
•	Might you use puppets? &#13;
&#13;
They can give their presentation in any style they (or you) choose, e.g. by creating a PowerPoint, an A3 spider diagram, or a physical model/demonstration. &#13;
&#13;
You may wish to provide images from previous productions as inspiration (see Resource 3).&#13;
&#13;
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Plenary Activity: (10 – 15 minutes) &#13;
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Use the following question as a prompt for a class discussion or as an individual reflective written task: &#13;
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1.	How might your design for the fairy characters contribute to the play’s “dream-like” quality? &#13;
&#13;
Point to consider:&#13;
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•	How is flight seen as “other-worldly”?&#13;
•	How are you suggesting that these supernatural beings are connected to, or are in control of, the environment?&#13;
•	How are you encouraging your audience to use their imagination?</text>
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                <text>Education Pack - Fairies and Flight in &lt;em&gt;A Midsummer Night's Dream&lt;/em&gt;</text>
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                <text>This education pack includes a lesson plan and associated resources that can be used to explore the representation of fairy flight in William Shakespeare's &lt;em&gt;A Midsummer Night's Dream&lt;/em&gt;. The resources are designed for pupils aged approximately 11-14 years. but could be adapted for use with older pupils.</text>
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                <text>Evelyn O'Malley and Chloe Preedy.&#13;
&#13;
The suggested activities are informed by work undertaken with Queen Elizabeth’s School, Crediton, and the Minack Theatre Academy.</text>
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                <text>&lt;strong&gt;Interview with Emma Gersch&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span&gt;Emma Gersch is the Artistic Director of &lt;/span&gt;&lt;a href="http://atmospherictheatre.exeter.ac.uk/items/show/90"&gt;Moving Stories&lt;/a&gt;&lt;span&gt;. Moving Stories creates inclusive and accessible theatre that engages and inspires its audiences. They have made large scale Shakespearean productions for the &lt;/span&gt;&lt;a href="http://atmospherictheatre.exeter.ac.uk/items/show/10"&gt;Minack Theatre&lt;/a&gt;&lt;span&gt;, staged new writing across Europe and the UK, and created site specific events in bedrooms, offices, and castles. Moving Stories is also the home of &lt;/span&gt;&lt;a href="https://www.movingstories.org.uk/bandofmothers" target="_blank" rel="noreferrer noopener"&gt;Band of Mothers&lt;/a&gt;&lt;span&gt;, a group of artists who harness the creative power of motherhood and allow it to inform their creative work. In this video, Emma discusses her extensive experience of directing plays for performance in open-air contexts&lt;/span&gt;&lt;span&gt;, including a 2012 production of &lt;/span&gt;&lt;em&gt;A Midsummer Night's Dream.&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;span&gt;Emma Gersch on &lt;em&gt;A Midsummer Night's Dream&lt;/em&gt;&lt;/span&gt;&lt;em&gt;&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;span&gt;(edited start time):&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;iframe width="560" height="315" src="https://www.youtube.com/embed/-zplOIFBc_E?start=869&amp;amp;rel=0" frameborder="0"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://atmospherictheatre.exeter.ac.uk/items/show/142"&gt;Interview with Emma Gersch (full version and transcript)&lt;/a&gt;</text>
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